| Waiting for the Hearse | |
|---|---|
| Directed by | Alejandro Doria |
| Produced by | Diana Frey |
| Screenplay by | Alejandro Doria Jacobo Langsner |
| Based on | Esperando la carroza (Waiting for the Hearse) by Jacobo Langsner |
| Starring | Luis Brandoni China Zorrilla Antonio Gasalla Mónica Villa Betiana Blum Julio de Grazia Juan Manuel Tenuta Lidia Catalano Andrea Tenuta |
| Music by | Feliciano Brunelli |
| Cinematography | Juan Carlos Lenardi |
| Editing by | Silvia Ripoll |
| Release date(s) | May 6, 1985 (Argentina) |
| Running time | 85 minutes |
| Country | Argentina |
| Language | Spanish |
Waiting for the Hearse (Esperando la carroza in Spanish) is an Argentine comedy cult film that opened on may 6th of 1985. It belongs to the criollo grotesque (costumbrismo) genre or black comedy. It's inspired on the play of the same name by Jacobo Langsner premiered by the Comedia Nacional company on 1962 and directed by Sergio Otermin.
The film adaptation counted with great actors of the rioplatense theater like Antonio Gasalla, China Zorrilla, Luis Brandoni and Betiana Blum; in Argentina it's a classic and its reruns on TV still draw a large level of audiences.
On April 2, 2009, after 23 years, the sequel was premiered and was filmed in 2008 with a script that was written in 1986.
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The film was originated by the theatrical piece Esperando la carroza from Romanian-Uruguayan Jacobo Langsner, author from the criollo grotesque genre and its TV adaptation that was broadcast in the prestigious show Alta Comedia from Channel 9 in the '70s, starring China Zorrilla, Pepe Soriano, Raúl Rossi, Dora Baret, Alberto Argibay, Lita Soriano, Alicia Berdaxagar, Marta Gam and the special appearance of the Austrian actress and acting teacher Hedy Crilla (1898–1984) as Mamá Cora.
The movie was adapted and retooled by author and director Alejandro Doria to include an ensamble of big names and give more lines to Mamá Cora's character, much less in the original (this was originally imagined for Niní Marshall).
It was not well received by critis upon release and it was a moderate success. It later became a cult classic in Argentine cinema reflecting a bitter satire of the Argentine idiosyncrasy, reality in the'70s and the disregard for senior people. The scrip won the Argentores Award (author's union) and the Argentine Film Critics Association award for Best Adapted Screenplay.[1]
As a cult classic, it draws surprising levels of audiences when it is broadcast on TV, generally on Sundays (the action occurs on a troubled family Sunday) and the dialogues have set catchphrases and expressions that have been incorporated to the everyday Argentine life.
Celebrating two decades from its opening, on 2005 the DVD was launched with backstage and deleted scenes, plus an interview to Doria.
Musicardi's octogenarian widow, Ana María de los Dolores Buscaroli, called Mamá Cora by everybody (Antonio Gasalla), has four children: Antonio (Luis Brandoni), Sergio (Juan Manuel Tenuta), Emilia (Lidia Catalano) and Jorge Musicardi (Julio De Grazia) with whom she lives and goes through financial troubles. This situation, plus lack of space and constant generational conflicts, makes Susana (Jorge's wife) ask desperately for the siblings to take their mother with any of them for a while.
Susana had a domestic problem with Mamá Cora. The first was preparing some mayo and she went to nurse her daughter leaving the ingredients alone. Mamá Cora remembered an earlier conversation about caramel custard and she thought that this concoction was to make some, innocently adding sugar, milk and eggs, causing Susana's rage. She storms into Sergio's house who's getting ready with his perfidous wife Elvira (China Zorrilla) and their daughter Matilda (Andrea Tenuta) to welcome, with the classic Sunday meal, newly rich Antonio (Luis Brandoni) and Nora, his wife (Betiana Blum), who ascended socially and economically in unclear circumstances.
Mamá Cora's destiny is debated while lunch is burnt: Sunday raviolis and the tomato sauce made by Elvira. Noone wants to take responsibility for the old lady with the women speaking out their opinions and the men trying to maintain respect for the name of their mother.
On her own, Mamá Cora, due to what happened with Susana, decides to go out and stop bothering for some hours and ends up in the house across Sergio's taking care, as a favor, of Dominga's son (the neighbor).
Nobody finds her and with the "disappearance" after the fight with the daughter-in-law, plus the news about a disfigured body of an old lady who committed suicide throwing herself under a train, the remorseful clan comes to conclusion that it's no other than Mamá Cora who killed herself to stop causing trouble. After double-checking with the police thanks to Antonio's "contacts", the tragedy is informed to the distant relatives and the very poor Emilia (Lidia Catalano) who arrives with despair because of the terrible news.
On the meantime, from Dominga's terrace, the old woman watches people coming and going in and out from Sergio and Elvira's house. Years of troubles, resentment and intrigues come up between all of them while they prepare the service for the supposed Mamá Cora. Misunderstandings follow and family's awful truths surface. In the middle of her own vigil, Mamá Cora reappears leaving everybody astonished. The family reconsiders and values the presence of its elder member while she and her friends go to the other woman's service (a Hungarian woman). Susana laughs out loud in front of her disconcerted relatives; she mocks them and herself because nothing will be the same again.
| Actor | Character |
|---|---|
| Luis Brandoni | Antonio Musicardi |
| China Zorrilla | Elvira Romero-Musicardi (Sergio's wife) |
| Antonio Gasalla | Ana María de los Dolores Buscarolli-Musicardi (Mamá Cora) |
| Betiana Blum | Nora (Antonio's wife) |
| Julio de Grazia | Jorge Musicardi |
| Mónica Villa | Susana (Jorge's wife) |
| Juan Manuel Tenuta | Sergio Musicardi |
| Andrea Tenuta | Matilde Musicardi (Sergio and Elvira's daughter) |
| Darío Grandinetti | Cacho (Emilia's son) |
| Cecilia Rossetto | Dominga |
| Enrique Pinti | Felipe |
| Lidia Catalano | Emilia Musicardi |
| Clotilde Borella | Doña Elisa |
| Juan Acosta | Peralta |
Among the different international adaptations, there is a Portuguese TV movie entitled "Querida mãe" (Beloved mom) (besed on the movie) and a play in Madrid with Spanish actors speaking with rioplatense accent. In 2008 there was a Brazilian remake by Fox Filmes do Brasil and Globo Filmes, starring Ary Fontoura, called "A guerra dos Rocha" (The war of the Rochas).
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